“My films have always relied on the visual”: Christopher Nolan Got A Backhanded Compliment From Own Brother After Showing Him Oppenheimer Script

Christopher Nolan Got A Backhanded Compliment From Own Brother After Showing Him Oppenheimer Script

Christopher Nolan, the man behind The Dark Knight franchise, Inception (2010), Interstellar (2014), and the more recent blockbuster Oppenheimer, is reported to have achieved a feat with the screenplay that his own brother, Jonathan Nolan, acknowledged in a backhanded fashion.

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Oppenheimer has clocked in a staggering $853 million at the box office, and Nolan has credited his brother for the success. The Twitter handle, @NolanAnalyst, which covers events in his life closely published his statements wherein he described how the script for this film was different than most.

Jonathan Nolan and Christopher Nolan
Jonathan Nolan and Christopher Nolan

Jonathan Nolan, as per his career timeline, has collaborated with Christopher Nolan on a number of projects as his writing partner. Most famously, he worked as a writer on Memento (2000), and The Prestige (2006).

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Read More: “Bloody hell Chris, what are we doing here?”: Christopher Nolan Lost Complete Faith in Christian Bale, Couldn’t Defend Him to WB After Seeing His $8M Movie

Jonathan Nolan’s Backhanded Compliment For Christopher Nolan

Christopher Nolan revealed that his brother was the first person who got to see the script. They haven’t worked together since Interstellar as the younger brother had Person of Interest (2011-2016) and Westworld (2016-2022) duties to fulfill, being the creator.

The elder Nolan, according to the post, has always been big on the visuals and the smallest of details in executing a scene. The younger Nolan played a major role in the writing part of it all.

Jonathan Nolan
Jonathan Nolan

“I showed it first to my brother, who I’ve written with a lot over the years,” said Nolan. I didn’t write [the script] with him on this, but I showed it to him and took his advice. The thing he said to me right away was that I finally found a way to make people read the stage directions. My films have always relied on the visual; on the stage directions. Things like the haircut of the character, telling you where you are in time, and those sorts of things.”

Nolan further added that Jonathan Nolan‘s backhanded compliment helped him realize that he had been missing the most important thing, which is, writing the screenplay in first person.

Read More: “Somebody broke into the flat”: Not Leonardo DiCaprio’s Inception, Christopher Nolan Used the Thief Who Broke into His Home as Inspiration for Another Cult-Classic Thriller

Christopher Nolan On Writing The Screenplay In First Person

Most actors and other attached artists working in a film, as Nolan noted, miss out on the essence of a scene as they only read the dialogue in what he called a “regular script.”

He elaborated on the fact that writing a script in “first person” pushes the actors to consume their characters’ stories as if they were actually living those lives.

Christopher Nolan
Christopher Nolan

“So you have to read the stage directions quite carefully. And in a regular script, they tend not to grab you and what’s going on in the scene. But when you write it in the first person, you immediately feel you have to read all those things because it’s like reading thoughts or voiceover.”

Also Read: “You know, bad punk guy?”: Matt Damon’s Casting in $25M S-x Comedy Was Straight Out of Movies That Rivalled His Oppenheimer Story

According to The Hollywood Reporter, Christopher Nolan struck a deal with Universal Studios for 90-120 days of theatrical run for Oppenheimer, which has proven to be quite beneficial.

Oppenheimer is expected to land on Peacock in November.

Source: Twitter

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Written by Ojaswi Chaudhary

Extremely passionate about a great story since the little guy was 8. He has lived through nothing short of almost 300 of Hollywood's finest pieces of work, and is now creating some of his own here at FandomWire. He loves to make time for a good book and a good meal.

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