“It’s unapologetically out there”: Eiichiro Oda Feared he Would Prioritize Fan Service in an Attempt to Find Balance in Netflix’s One Piece

Eiichiro Oda Feared he Would Prioritize Fan Service in an Attempt to Find Balance in Netflix’s One Piece

One Piece manga adaptation is undoubtedly a monumental challenge. With a massive global fanbase, a story that ranges from zany to utterly unpredictable, and high stakes in terms of meeting fan expectations, it’s a truly monumental undertaking.

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Introducing new viewers to the expansive One Piece universe posed an additional challenge, demanding a presentation that could engage and captivate them.

One Piece Live Action Adaptation
One Piece Live Action Adaptation

However, showrunner Steven Maeda skillfully maintains a balanced tone that encompasses the surreal, the silly, the sincere, and the emotional aspects of the show. The series adeptly caters to both newcomers and dedicated, long-time fans of the franchise.

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Also Read: Fill Your Pockets With Adventure: World’s Most Powerful Anime Franchise Announces Live Action Series to Compete With One Piece

One Piece’s Showrunner Manages to Convey The Entire Story in Just Eight Hours

In an interview, One Piece‘s showrunner Steven Maeda discussed the multitude of elements present in the One Piece manga and anime series and the discouraging challenge of condensing that expansive universe into roughly eight hours of content.

The key to achieving this feat, naturally, lay in finding the right tone to convey all these diverse aspects simultaneously, he explained:

I think, the thing that a lot of people are commenting on today, is the tone of the show because it’s unapologetically out there, surreal. It can be very silly, but at the same time, it’s very sincere and genuine, and emotional. So a lot of it was kind of balancing that tone and trying to make sure that it felt like something people could grab onto.

Steven Maeda
Steven Maeda

And then I would say the biggest problem, probably, was figuring out the balance between how much to stick to the source material, to the manga, and really do fan service for the hardcore fans who were so, so dedicated to the show and so protective.

He also elaborated on how they prioritized fan service, considering everything from casting to the voice and visuals, as One Piece has such dedicated fans who are very protective of the series.

Also Read: “Who the f*ck am I, where am I going”: ‘One Piece’ Actor Morgan Davies Went Through Extreme Pain After Coming Out as Transgender at 13 Years Old

Steven Maeda Maintained a Balance Between Newcomers and Dedicated Fans

Maeda also mentioned the challenge of introducing the One Piece universe to potential new viewers. The showrunner emphasized the need to present the series in a captivating way to attract and engage newcomers.

One Piece Live Action
One Piece Live Action

Maeda underscored that there was no room for shortcuts, and the goal was to simultaneously capture the interest of both newcomers and existing fans. He concluded by highlighting the importance of striking that balance because a successful show must engage both segments of the audience.

Also Read: “Haiyaaa Uncle Roger got copyright striked”: One Piece Studio Forced Ultra-Popular YouTuber Nigel Ng to Remove Sanji Cooking Video

Fans are sure to be delighted with the ample fan service provided in Season 1 of One Piece. It offers the kind of fan service that sprinkles Easter eggs throughout the series without making them the focal point.

Moreover, when these elements do take center stage, it’s typically serve a purpose to the story, which can include the early introduction of characters that fans might not have anticipated seeing so soon in the story.

A still from Netflix's One Piece
Luffy in Netflix’s One Piece

For those new to the series, it’s worth noting that One Piece offers a refreshing and distinctive viewing experience, one that stands out from the typical TV fare. This distinctiveness becomes immediately apparent, starting with the meticulously crafted pirate ships that take center stage on screen.

Source: Collider

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Written by Tanmay Jha

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