With a stellar cast, gripping plot, and mesmerizing scenes without the use of CGI, Christopher Nolan’s Oppenheimer is the movie of the year. The director did everything in his power to make the story as realistic as possible, making the film his magnum opus. As a result, he made headlines in gold, as he shot the film in both colored and black and white 70mm IMAX, the developmental process, and being true to the incidents that took place.
Christopher Nolan’s hard work delivered, as the film exceeded its expectations. It was dramatic and the soundtracks only added to it. Naturally, these factors helped the film to earn $787 million at the worldwide box office. The Interstellar director went out of his way to perfect the film and it was one small detail that he decided to keep in his film that helped the film to be more authentic than its box office rival, Barbie.
Christopher Nolan’s Brother Was Impressed With The Script of Oppenheimer
Christopher Nolan shared that his brother Jonathan Nolan was the first person to receive the script of Oppenheimer so that he could give his valuable insights to his brother as they have worked together on numerous projects. Jonathan Nolan told his brother how he has done a great job with the stage directions, which most people in the movie business don’t do. These films prefer telling their stories with the help of dialogue.
“I showed it first to my brother, who I’ve written with a lot over the years. I didn’t write with him on this but I showed it to him and took his advice and everything. And the thing he said to me right away is that I finally found a way to make people read the stage directions.
Because in a screenplay, you have stage directions, and then you have the dialogue. And if you read a lot of scripts, as people in Hollywood do, you wind up just reading the dialogue. So films tend to be told through dialogue.”
However, that’s not all, because the director shared how his films tend to be different from other Hollywood films, and writing it in a different manner helped in showcasing the time period even better.
Christopher Nolan Writes Oppenheimer In First Person
Christopher Nolan further added that all of his films heavily depend on the visuals, and one little detail such as “the haircut of the character,” can distinguish the time periods. Such things are not possible in a script with dialogues and that will aid in understanding the importance of the scene.
However, these problems can be solved if the script is written in the first person, helping him feel that he is in the mind of Oppenheimer.
“But my films have always relied on the visual. They’ve always relied on the stage directions. Things like the haircut of the character, telling you where you are in time and those sorts of things. So you have to read the stage directions quite carefully. And in a regular script, they tend not to grab you. They tend not to make you feel that you have to read that paragraph, that sets up where the scene is and what’s going on in the scene.”
“But when you write it in the first person, you immediately feel you have to read all those things because it’s like reading thoughts or voiceover. And I knew that with this project, I wanted to be in Oppenheimer’s head, but I didn’t want to use voiceover. And so writing the script in the first person, it gave me the feeling of voiceover so that the stage directions seemed like his thoughts.”
Such minuted details immensely helped Christopher Nolan to come up with the movie of the summer, as writing the film in first person massively helped the film. Moreover, when watching Cillian Murphy as J. Robert Oppenheimer, he showcased the tension and the emotional turmoil he was in when he was assigned to create the atomic bomb.
Oppenheimer can be watched in theatres, worldwide.
Source: Twitter
